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Film Directing and being a Film Director
What Is A Film Director? How do you run an independent film casting call? How do you get the best out of the actors you've chosen to bring your film to life?
Whether you're running your first independent film casting call or into your millionth day of shooting, you may find some useful ideas here. Below, we investigate some of the techniques you can use and pitfalls you may face in casting and directing actors. A good resource for actors as well as directors!
We'll be posting more articles all the time, so make sure you come back and check every now and then.
What is a film director? More than anything, the person responsible for bringing together the technical aspects of capturing performances with the actors who will bring a story to life. One of the most important aspects of a director's job is to have a rapport with the actors, and it's not any easy thing.
INSECURITY is the evil heart of a bad performance.
You need the actor to feel SAFE and COMFORTABLE in the creative process. They need to be relaxed.
Ask the actors to do something, not be something.
The presence of a camera should never change people, it only changes the aspect or degree of a person�s response.
The main job is to prepare the ground for inspiration. You can�t decide to be inspired. If you try it, it only creates tension, taking you farther and farther away.
The DIRECTOR is the viewer and the ACTOR is the viewed.
Let the actors help out with blocking. It solves all kinds of problems.
Actor and Director must respect each others creative territory.
Adjusts your beliefs about a character if the actor sees something different.
- Not to give up until you get the performance
- To make sure it's the best take before moving on
- Must have confidence that you understand the script
- Need clear, brief, playable direction
- They want to be pushed to grow and learn
DON'T TELL ACTORS TWO DIRECTIONS THEY CAN'T PLAY TWO THINGS AT ONCE.
LISTEN to the actors and hear what they have to say.
Actors need insight, in language that is experiential, not descriptive. Adjectives are generalizations. USE VERBS Actions speak louder than words.
Verbs describe what someone is doing. They describe experiences rather a conclusion about experience.
USE THESE PHRASES
VERBS are also important to the basic understanding of a character
Acting should be a performance of the simple physical actions that tell the story.
Movies are made out of very simple ideas � A good actor will perform each small piece as completely and as efficiently as possible.
All good work requires self-revelation. The talent of acting is one in which the actors thoughts and feelings are instantly communicated to the audience. The instrument the actor is using is himself.
DON'T REPRODUCE LIFE CREATE IT
CONFIDENCE is an important element in an actor's performance
LEARN FROM ACTORS SEE:
An actor's personality always comes out in their performance.
Tell them to go as far as they feel. Never be negative.
MOVMENT OF THE ACTOR You can always tell if an actor is truly in character by looking at his or her feet.
Actors need to have a GOOD EAR
Sometimes they need to just speak and try not to hit the furniture.
They need to trust the script, and you have to guide them if they want to stray from it. Unless they have an absolutely brilliant idea that serves the story BETTER than the original script, they should stick with the words as written. It's tempting for actors to add or subtract words. That's seldom a good idea.
Most actors need to know the technology that is around them.
Acting is not pretending, is not faking something. It's honesty. A director's job is to recognize that and facillitate it.
For an artist there are two worlds the social realm, where we live and work day to day and the creative realm.
To enter the creative realm one must be free of the social realm, uncensored in the moment, away from concerns with result, following impulses, obeying only the deepest and most private truths.
An actor can't lose trust in the process. As an actor, you need to:
The best moments usually come from mistakes!
The scene is the event the words are the clues
Eye contact is very helpful to listening
THE SPINE IS WHO THE CHARACTER IS
AN ACTOR HAS TO THINK
WHAT DOES A DIRECTOR WANT IN AN ACTOR?
MEMORY (Personal Experience)
- Camera technique
- hitting marks
- not blinking
- ability to repeat successful performances and built on successes
- able to alter what's not working
As a DIRECTOR you must stop JUDGING and begin to engage
Actors should remember that characters are real people. They don�t always tell the truth. They don�t always know the truth.
Certain questions an actor should ask about every character?
WHAT IS THE CHARACTER NOT SAYING?
FOUR AREAS OF IMPORTANCE IN CASTING
AREAS OF A REHEARSAL PLAN
No matter how small the role is, the actor should read the entire script several times. They need to be aware of the function the author intends for the character in terms of overall storyline.
REMEMBER: The actor is playing someone with a HISTORY, not a FUTURE
FILM ACTING IS BROKEN DOWN INTO FOUR CATEGORIES
Know the skills and potentials of the actors you're working with, and frame your suggestions according to their level of experience. What is a film director? Someone with the ability to help all actors grow. A good film director is someone who knows the power they have on set and uses it to guide a film to the best possible completion.
THINGS THAT MATTHEW TOFFOLO LOVES AN ACTOR TO DO
Matthew Toffolo loves actors to:
AND... MAKE THE CHARACTER THEIR OWN