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METRO, 1997
Movie Reviews!

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  MOVIE POSTER METRO, 1997
Movie Reviews

Directed by: Thomas Carter

Starring: Eddie Murphy, Michael Rapaport, Kim Miyori, James Carpenter, Art Evans, Donal Logue, Jeni Chua, Denis Arndt

Review by Russell Hill

SYNOPSIS:

Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out with Roper and his partner McCall attempting to rescue Roper's kidnapped girlfriend. A major element in the plot is the relationship between Roper and his girlfriend.

REVIEW:

I am always thankful to the BBC for their late night films. Not only do they show movies which otherwise escape many people’s attention but the movies which they do show star some bone-fide legendary actors and actresses which shout out to you that you should be watching this movie; this can certainly be said about this movie in particular.

A respected yet unorthodox hostage negotiator, Inspector Scott Roper (Murphy) is at the top of his game. Resolving any tricky situation with whatever approach he believes is best, he might not act by the books but Roper gets the job done. To his dismay, a new hostage negotiator arrives in town and it is down to Roper to teach Kevin (Rapaport) how it’s done. Not only does Roper have this to deal with but also a former-bank robber who has been released and has a vendetta against Roper. Who will survive?

Although his career has gone downhill recently, it is only the “Shrek” movies which have saved his career and given it a new lease of life. Eddie Murphy was once the funniest man in Hollywood but has lost that edge thanks to many forgettable roles. This film is not one of them and shows one of his last great films that he has appeared in.

One actor whose career has not dwindled is Rapaport. Regular in work, in the other films and television shows I have seen him appear in he has excelled and after looking on his profile on www.imdb.com he has appeared in nearly ninety different projects in just over two decades. This man’s workrate is nothing short of remarkable; maybe Murphy should take a leaf out of his book and not keep his expectations so high?

The director at the helm is Thomas Carter. A respected director who has worked for over thirty years, he directs the high-pace action extraordinarily well. There are multiple scenes where cars come crashing over one and other along with Trams smashing into whatever comes to hand. For action sequences to be shot in this convincing way is remarkable and if there was ever another “Die Hard” film (with one rumoured to be released in 2012) then Carter should be considered to front this.

Not one of Murphy’s most well-known films, this should be corrected as the comedy which he displays is top-notch and with support by the likes of Rapaport and directed by Carter this is a must-see for anyone who prefers their ‘cop’ movies to be fast-paced and full to the brim with action scenes.

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METRO, 1997